Original documentary films and series, looking for the partners who bring them to life.

Sponsorship means funding all or part of a film's production and being named as the partner who made it possible. That typically includes title or presenting credit, association with the finished work wherever it travels, and a level of creative involvement agreed at the outset. The commitment is usually made from a marketing, communications, or community relations budget rather than a capital allocation, and it buys a permanent place in something that will outlive the quarter it was approved in.

A documentary works on a different timescale than a campaign. Advertising runs for six weeks and then lives in an archive nobody opens, while a film keeps moving through festivals, broadcast, streaming, classrooms, and press coverage for years, and your name travels with it every time it does. The association is also different in kind. Audiences who skip advertising without thinking will give a film ninety minutes of real attention, and a company that appears in that context is understood as a patron rather than an advertiser. The internal effect is often the larger one. People are proud to work somewhere that funded something real, and a premiere gives you an evening to convene clients, community leaders, and employees around something none of them could have attended otherwise. For any organization whose standing in a region or an industry matters, that is a more durable asset than a quarter of impressions.

The film or the series is the centerpiece, but it is rarely the whole of what gets delivered. A sponsorship typically includes cut-downs and trailers sized for the platforms you actually use, a behind-the-scenes piece on the making of the work, a stills library shot alongside the production, and a press kit built so that coverage of the film is coverage of you as well.

Most partners also take a premiere or a private screening, which in practice tends to become the most valuable single item on the list. Beyond that we negotiate a defined-term license so you can use footage and interviews in your own communications, and where it is useful we deliver an internal or educational cut for onboarding, recruiting, or classroom use.

The exact package is set project by project and written into the agreement, so the list above is the shape of it rather than a fixed menu.

It depends on format and scope. A short-form documentary can be underwritten at a level most marketing departments already allocate to a mid-size campaign, while a multi-episode series is a larger commitment that is often split across several partners. We give real figures inside the portal, because the honest answer is specific to the project.